Coloring-in Piano: Indiscrete Musical Elements are Essential for Performers

نویسندگان

  • Chika Oshima
  • Kazushi Nishimoto
  • Yohei Miyagawa
  • Takashi Shirosaki
چکیده

In this description, we propose a new musical instrument named the “CiP (Coloring-in Piano)” that can facilitate to externalize musical expression of performers. Conventional music consists of two kinds of elements, i.e., "discrete elements" and "indiscrete elements." Pitch of each note and basic rhythm of the notes (i.e., time value of each note) described in a score are the discrete elements, while tempo, "Artikulation," "Agogik," "Dynamik," and so on, are the indiscrete elements. CiP releases the performers from a non-creative task to operate one of the discrete elements, i.e., the pitch. As a result, CiP allows the performers to concentrate on creative task, that is, control of the indiscrete elements. Moreover, CiP allows the performer's simultaneous operation of all of the indiscrete elements. We provide three performance data to demonstrate effectiveness of CiP.

برای دانلود رایگان متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Coloring-in P a Piano That Allows a Perfor on Musical Expr

In a piano lesson, a teacher teaches a way of performance by providing indirect cues, e.g., metaphors and singing. A model performance is one of the important cues. Meanwhile, it is difficult even for the teacher to perform a very technical piece without enough practice, even if he/she had formerly performed it. However, the teacher still retains his/her knowledge for performing the piece. Acco...

متن کامل

Interfacing Graphic and Musical Elements in Counterlines

This paper reports on initial stages of research leading to the development of an intermedia performance Counterlines a duet for Disklavier and Wacom Cintiq, in which both performers generate audiovisual gestures that relate to each other contrapuntally. The pianist generates graphic elements while playing music and the graphic performer generates piano notes by drawing lines. The paper focuses...

متن کامل

Explaining Musical Expression as a Mixture of Basis Functions

The quest for understanding how pianists interpret notated music to turn it into a lively musical experience, has led to numerous models of musical expression. One of the major dimensions of musical expression is loudness. Several models exist that explain loudness variations over the course of a performance, in terms of for example phrase structure, or musical accent. Often however, especially...

متن کامل

On the analysis of musical expression in audio signals

In western art music, composers communicate their work to performers via a standard notation which specificies the musical pitches and relative timings of notes. This notation may also include some higher level information such as variations in the dynamics, tempo and timing. Famous performers are characterised by their expressive interpretation, the ability to convey structural and emotive inf...

متن کامل

Listeners' and Performers' Shared Understanding of Jazz Improvisations

This study explores the extent to which a large set of musically experienced listeners share understanding with a performing saxophone-piano duo, and with each other, of what happened in three improvisations on a jazz standard. In an online survey, 239 participants listened to audio recordings of three improvisations and rated their agreement with 24 specific statements that the performers and ...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2002